Treasures from Home, Part One (The Moustache Cup)

Cup Feb 2

My knowledge of antiques is limited to what I have absorbed while watching Antiques Roadshow, but I am trying to learn more. At least, I am trying to learn more about a handful of curious treasures that once belonged to my mother.

Saucer Feb 2

Cup Feb 2

I can’t say why I fell so blissfully in love with this little moustache cup, which I don’t remember seeing as a child. After Mother’s car accident in 2011, we found the cup in an unlabeled box in her house, so its history is largely unknown. We suspect it is one of the many pieces collected by a great aunt who had a fondness for porcelain.

Saucer Feb 2

Cup Feb 2

Last month, I decided to research the porcelain marks, which are clearly visible on both cup and saucer. The mark was harder to trace online than I had expected, but I eventually found a website (Porcelain Marks and More) that identified the mark as Bavarian, used between 1885 and 1902. While the date seems clear, I’m confused about the company name. Some sources say Sontag and Maisel, others Sontag and Sons. Also Royal Bayreuth. Perhaps all are correct? Or none? (Please respond, if you can help. I would love to know more about the mark, and about the cup.)

Teacup Feb 2

Now that I know something definite about them, I’m a bit overwhelmed by the cup and saucer. I’m terrified of breaking them, of being the final admirer of such lovely creations. I’ve considered finding a collector to protect and cherish them, to prevent their story ending with a crash and shatter on my worn kitchen floor. I’ve considered wrapping them as a gift for a friend, sending them to one of my more responsible sisters, or storing them in a box, where they would be more likely to survive their sojourn in my house.

Teacup Feb 2

But I’m having trouble making a decision. Like all of my treasures from home, the cup and saucer resonate with nostalgia and grief. There is nothing practical or useful about them, but some days I enjoy their glitter on my mantel. (Other days I hide them in a cabinet.)

And some days, like today, I marvel that such fragile, frivolous objects have endured so long and traveled so far, moving from hand to hand and home to home until arriving here. In my home. In my hand, where they mean so much and so little. Where they cannot possibly stay forever, because I cannot stay forever.

Teacup Feb 2

What will happen to them, after I am gone? What will happen to me?

The Horses

Horses Jan 8

Horses were the only pets forbidden on our acres. My oldest sister tested Daddy’s rule from every conceivable angle, but was no match for his resolve. Leaving the battle in her capable hands, I consoled my own longing with Breyer collectibles. My herd grew with each Christmas and birthday, multiplied between as my allowance allowed.

Horses Jan 8

I didn’t play with my horses as I played with other toys. Instead I lavished them with furniture polish and imagination, displaying them on shelves high beyond the reach of rowdy kittens and teething puppies.

Horses Jan 8

I left them behind when I moved into college, but Mother knew better. She waited until I graduated and married, until my husband and I bought a house of our own. Then she forwarded the herd to Virginia, where I welcomed them with tears and furniture polish, with new shelves beyond the reach of rowdy kittens and teething puppies.

Horses Jan 8

And last fall my oldest sister sent her horses to join the herd.

Horses Jan 8 8s

She never knew, until a chance conversation brought it up, that I had coveted her horses in our youth. As she has real horses now, and as she understands how much I treasure my plastic herd, she packed up Misty and a Clydesdale and gave them to me. So we have added two to the throng, though an unpracticed eye might never notice the newcomers.

Horses Jan 8

Crochet

Crochet Jan 3

Mother taught me how to sew, but she never tackled crochet.

Crochet Jan 3 2s

Even if she had tried to teach me how to crochet, I’m not convinced that I could have learned. Not then.

Crochet Jan 3

I was a child of tenuous patience and headstrong temper. Our sessions at the sewing machine often deteriorated into battles of will. Mother would scowl over a poorly cut pattern or knotted seam. Start over and do it right this time. I would bristle, hurt by what felt like rejection. This is good enough for me, even if it isn’t perfect. I hurled the word “perfect” at her, a stone made of childish frustrations, and she tossed it back with the strength of a tested parent. I’m not looking for perfect, I just want you to do it again.

Lured by the unknown, and miserably bored with the exacting practice of the known, I would dig out a skein of yarn and one of her crochet needles. Teach me this. She would put them away again. I can’t remember how to do it.

Crochet Jan 3

By the time I got married, I had almost forgotten my fascination with crochet. Then I saw an afghan that my mother-in-law had made. A few years later, when my father-in-law needed heart surgery, we shared our waiting room seats with a bag of yarn and a shiny assortment of crochet needles. She taught me how to make chains and rows and squares. How to read and follow a pattern. Later, she took me shopping for yarn and helped me start my first big project. Then she laughed at my obsessive determination to make scarves for everyone I knew, plus a few afghans, all in time for Christmas.

Crochet Jan 3

I failed my Christmas quest that first year, but eventually did make scarves for nearly everyone. And afghans.

Crochet Jan 3

Like everything else, my crochet enthusiasm waxes and wanes. I’ll spend months finishing a project, then put my needles away for a year or more. Lately, in another surge of cleaning up and clearing out, I’ve been trying to use up my embarrassing mountain of yarn. (I can’t resist a yarn sale…)

Crochet Jan 3

This week I’m making an afghan, from a sackful of “Vanna’s Choice” yarn.

Crochet Jan 3

Vanna (the cat) can’t decide whether to be flattered or shocked…

Vanna

The Sewing Machine

Sewing Machine Dec 23

To my knowledge, my grandmother never purchased a single item of clothing. She made everything by hand, including many of the patterns for her clothes. Mother continued this tradition, except she felt more comfortable using commercial patterns. I have fond memories of our trips to the sewing store. I loved the tall stools set in a row before thick catalogues of Butterick and Simplicity patterns. I loved flipping through the books, admiring line-sketched dresses and pantsuits and cloaks. Mother often let me choose patterns and material, though she steered me away from the complicated constructions and animal-themed prints that captured my young imagination.

I was the youngest of five children (two boys and three girls) so my closet was the final stop for most of our clothes. Every so often, a coveted item landed in my wardrobe, and then I was thrilled with the arrangement. But for the most part I resented being “forced” to wear shirts and skirts made from patterns and material chosen by my sisters. Additionally, I was pudgier than either sister, so my memory is dominated by clothes that were a pinch too tight.

Mother began teaching me to sew when I was in elementary school. We started with handkerchiefs and headscarves, then moved on to simple patterns for pillows and stuffed animals. Eventually, I was making some of my own clothes, and I quickly discovered why Mother preferred simple patterns and prints. I also discovered that it was easier to wear something made for my sisters, even if it was too tight, than to make something new for myself.

When I graduated from ninth grade, I got my first “store bought” dress. Mother let me pick it out, and I ended up with an ill-fitting froth of thin cotton, itchy lace, and uneven elastic. I loved the idea of my dress, but hated the reality of it. I don’t believe I ever wore it again, after our graduation dance.

Life sped up in high school. My parents divorced. Mother started working and went back to school for her master’s degree. My sisters went to college and worked and dated. I got better at picking out store bought clothes, and the sewing machine grew dusty with disuse.

Several years ago, Mother gave her machine to one of my sisters. Then she helped me load Grandmother’s old Singer into my car, even though it no longer worked. I put off getting it repaired until I almost forgot it existed. Last month, in a frenzy of cleaning up and clearing out, I called the closest repair shop and took Grandmother’s sewing machine to be fitted for a new motor.

A few weeks later, new motor in place, it’s ready to go. I have a list of projects in mind, but, for the moment, I’m happy just looking at it…

This slideshow requires JavaScript.

Christmas Decorations

2012 Ornament

I adore Christmas decorations, and therefore own far too many of them. But each ornament and figurine, toy and trinket has it’s own story. Each represents a memory or wish, a moment or emotion. They sparkle and spin on the tree. They march across shelves and perch on the mantel. For a single season, the house sprouts a glorious clutter of nostalgia and peace.

Next week, I’ll spend a quiet day packing it all into boxes and stacking it in the attic for another year, and the house will resume its usual routine. My memories, wishes, moments, and emotions will scatter, untethered, into the nebulous ether of experience.

This slideshow requires JavaScript.